“Multiple Anamorphisms”: Imagining the Indigene in Pankaj Sekhsaria’s The Last Wave

  • Swarnalatha Rangarajan

Resumo

Abstract

Postcolonial ecocriticism in the Anthropocene calls for place and displacement as a new locus of critical discussion.This essay attempts to explore the complex state-indigene-place relationships in the Andaman and Nicobar islands, an Indian archipelago in the Bay of Bengal, through an analysis of Pankaj Sekhsaria’s novel, The Last Wave, a postcolonial environmental narrative that articulates alterity and the limits of representation.This essay places Sekhsaria’s island narrative in the tradition of ‘nava aranyakas’ or ‘new forest texts’  set in contemporary fractured Indian forestscapes that foreground the troubled history of state domination and also explore the contradictions and ambiguities that emerge in the tribal relationship with nature. At the heart of Sekhsaria’s narrative is the endangered Jarawa who is inaccessible to the mainstream world due to multiple barriers. This essay focuses on the narrative’s anamorphic aesthetics that employs multiple images and disparate measurements to capture the elusive reality of the indigene.

Referências

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Publicado
2021-07-25
Seção
Dossiê temático